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SYNOPSIS

In this exploration of Synesthesia, a green monochrome monitor pulses, curves, and ultimately burns into wave­shaped chaos. Occurring as a series of five thirty­second audio visual experiments, Blommaert’s evolving graphical abstraction literally plays with how we see sound gestures — whether it be an 8­-bit ping pong game sound effect, orchestral tuning, or the algorithmic throes of generative minimalism.