Half-cut is a wondering processes about the efficiency of public transport strikes made in Portugal during, the so called, period of financial crises. Taking some issues to a certain degree of absurdity, another way of reclaiming work conditions is proposed. However, there is no way to go through it empirically, this struggle happens in a sound/image juxtaposition. Due to this conditions, new problems arise: the sound and the text start to shape the content of the image. The outcome of this process is reflected in a short sequence of a passing train.
