Third Hermeneutic is an expanded cinema variant of the “new aesthetic” where the performance itself becomes a microcosm of relationships between digital (machine) vision governed by algorithm and software and its manifestation in the physical world. Like all digital works, it simulates an earlier already-familiar form, that of expanded cinema; however, it is an expansion that overlays the historical field with an entirely new, different set of formal approaches, in the process suggesting a re-imagining of what “expanded cinema” entails.
